The Haunting Bey Attar Alcove and the Scent That Never Settled

In the Attar Alcove, the air clings sweetly to the walls, as if scent itself tried to remain loyal. An overturned vial rolls near the cabinet base, catching light in its curved belly. A subtle indentation on the marble slab suggests something once sat there—a cooling pan, perhaps—lifted moments before its purpose ended.
Even the smallest lever on the dropper stand seems caught mid-poise. Nothing here shouts trouble, yet nothing resumes.
Lines of Work Traced by Faris Kemal Bey, Perfumer
Signs across these furnished rooms evoke Faris Kemal Bey, born 1875 in Damascus, a perfumer of modest standing. In the Parlor Nook, saffron-tinted bottles cluster beside brass burners shaped with Ottoman flourishes. On a small sideboard, narrow phials labeled in careful English transliterations imply he adapted his craft for distant clients. His routines appear disciplined: tinctures aligned by infusion date, pomanders wrapped evenly in muslin, and a faint trail of rose attar lingering on a velvet chair where he once rested between blends.
He likely worked before dawn, steeping petals in warmed alcohol, then spent late evenings adjusting volatile oils drop by drop. A calm temperament shines in symmetrical storage and cloths folded to exact thirds; yet in the Sitting Alcove, a single crumpled filter paper bears hurried handwriting, its margins smudged as if reconsidered too quickly.

The Lever of Change He Could Not Steady
In the Rear Dressing Room, a travel coat lies folded atop a cedar trunk. Tucked in its inner pocket are letters bearing a merchant’s crest—rejected shipments, disputes over diluted essences. One corked vial, cloudy at the bottom, suggests a costly batch spoiled. His decline hides in these subtleties: a dropped spoon in the Hall Cupboard, stained by resin; a burner’s wick charred halfway, hinting he worked while fatigued. Perhaps his sense of smell faltered, or debts pressed too close; whatever the cause, the interiors show a man trying to correct a formula he no longer trusted.
Shifting Tension Along the Forgotten Lever
Back in the Attar Alcove, the dropper stand’s tiny lever anchors the room’s unease. A minuscule smear of amber oil trails from its hinge, the kind made when someone hesitates mid-measure. On the marble slab, dust outlines the shape of a missing pan. A brass stopper lies beside petals that have dried into brittle curls. Something interrupted Faris at the pivotal moment of rebalancing a scent—one final trial unmade.

Behind the lowest shelf, a last accord remains in a capped vial—unfinished, its color uneven. The formula card beneath it ends mid-line, the final ratios never written. No note explains why he stepped away, no sound recalls his choice.
The house offers no answer, and it remains abandoned still.